Thirteen

COLOUR CORRECTION

Using DaVinci Resolve, I can correct inconsistencies of white balance and exposure in each of the shots to ensure that your footage begins the colour grade in its best form possible.

SHOT MATCHING

To ensure your film flows from sequence to sequence organically, I match shots in your timeline so that they fit together seamlessly. Ensuring the audience is never removed from the immersion of your narrative.

LOOK CREATION

This is the fun creative part of colour grading, in which I really amplify the emotion and style of the visual story. This involves an understanding of colour theory, psychology and having a wealth of experience in creating impactful looks that set your film apart from others.

COLOUR MANAGEMENT

I do all of my work on colour calibrated monitors,  so you can relax knowing that what you see on my screens is accurate. I also use ACES colour management to ensure that I am always working inside the parameters of your cameras capabilities.