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Thirteen

COLOUR CORRECTION

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Using DaVinci Resolve, I can correct inconsistencies of white balance and exposure in each of the shots to ensure that your footage begins the colour grade in its best form possible.

SHOT MATCHING

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To ensure your film flows from sequence to sequence organically, I match shots in your timeline so that they fit together seamlessly. Ensuring the audience is never removed from the immersion of your narrative.

LOOK CREATION

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This is the fun creative part of colour grading, in which I really amplify the emotion and style of the visual story. This involves an understanding of colour theory, psychology and having a wealth of experience in creating impactful looks that set your film apart from others.

COLOUR MANAGEMENT

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I always use a colour managed workflow monitored on a colour calibrated monitor to ensure that I always work from a bullseye. So you can rest assured that your images will look as good as they possibly can across a range of devices and outputs, including broadcast, theatrical projection, streaming platforms and web.

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