Thirteen
COLOUR CORRECTION
Using DaVinci Resolve, I can correct inconsistencies of white balance and exposure in each of the shots to ensure that your footage begins the colour grade in its best form possible.
SHOT MATCHING
To ensure your film flows from sequence to sequence organically, I match shots in your timeline so that they fit together seamlessly. Ensuring the audience is never removed from the immersion of your narrative.
LOOK CREATION
This is the fun creative part of colour grading, in which I really amplify the emotion and style of the visual story. This involves an understanding of colour theory, psychology and having a wealth of experience in creating impactful looks that set your film apart from others.
COLOUR MANAGEMENT
I always use a colour managed workflow monitored on a colour calibrated monitor to ensure that I always work from a bullseye. So you can rest assured that your images will look as good as they possibly can across a range of devices and outputs, including broadcast, theatrical projection, streaming platforms and web.